Alfie drew the book back to throw it, then lowered his arm. He hated to let it go, that was the truth of it. That was the bottom line everyone was always talking about. But things were bad, now. He
raised his arm again and then lowered it again. In his distress and indecision he began to cry without being aware of it. The wind rushed
around him, on its way to wherever. He couldn’t go on living the way
he had been living, he knew that much. Not one more day. And a shot in the mouth would be easier than any living change, he knew that, too. Far easier than struggling to write a book few people (if any at all) were likely to read. He raised his arm again, cocked the hand with the notebook in it back to his ear like a pitcher preparing to throw a fastball, then stood like that. An idea had occurred to him. He would count to sixty. If the spark lights of the farmhouse reappeared at any time during that count, he would try to write the book.
To write a book like that, he thought, you’d have to begin by talking about how it was to measure distance in green mile markers, and the very width of the land, and how the wind sounded when you got out of your car at one of those rest areas in Oklahoma or North Dakota. How it sounded almost like words. You’d have to explicate the silence, and how the bathrooms always smelled of piss and the great hollow farts of departed travellers, and how in that silence the voices on the walls began to speak. The voices of those who had written and then moved on. The telling would hurt, but if the wind dropped and the spark lights of the farm came back, he’d do it anyway.
If they didn’t he’d throw the notebook into the field, go back into
Room 190 (just hang a left at the Snax machine), and shoot himself,
as planned.
Either way. Either way.
Alfie stood there counting to sixty inside his head, waiting to see
if the wind would drop.
I like to drive, and I’m particularly addicted to those long interstate
barrels where you see nothing but prairies to either side and a cinderblock rest area every forty miles or so. Rest-area bathrooms
are always full of graffiti, some of it extremely weird. I started to
collect these dispatches from nowhere, keeping them in a pocket notebook, got others off the Internet (there are two or three websites dedicated to them), and finally found the story in which they belonged. This is it. I don’t know if it’s good or not, but I cared very much for the lonely man at its center and really hope things turned out okay for him. In the first draft things did, but Bill Buford of The New Yorker suggested a more ambiguous ending. He was probably right, but we could all say a prayer for the Alfie Zimmers of
the world.
Taken From:Stephen king everything’s eventual